Yeah God!’s debut release on Chapter 22 records. Title track Sumo On My Back is a storming tune, mixing rap with thrash and some chanting thrown in for good measure! Used To Even Care brings the death growwwwwls found on their excellent debut LP. The E.P. finishes with Beast In The Box – a ludicrously fun satire of rock cliches.
01-Sumo On My Back
02-Used To Even Care
03-Halitosis Girl
04-Hypocrite Carnage
05-Big Bad Noise
06-Beast In The Box
Prior to the release of their sort-of debut album D*nce Like A Bastard!!, Ugly Noize Inc. (formally Yeah God!) released the E.P. Nitro Injected Thrash Pop For The Def! This release contains one album track (A Prayer…) and three non-album tracks, the best of which is probably Bomber. I must admit, I was a slightly disappointed with this E.P. as the songs seem a bit lazy and generic. It’s not bad, but it’s a mile away from the creative wackiness of D*nce Like A Bastard!! and Noizgasm. To be honest, tracks 2-4 almost sound like a different band. Maybe I’m being harsh – I’ll give it a few more listens – but it’s definitely not up to the band(s) prior and future releases! Anyway, vinyl rip with HQ covers (the front cover is a work of art!) in the link below.
01-A Prayer To The God Of Obscure And Skint Independent Artistes
02-Ded Set On Destruction
03-Bomber
04-! (No More, Waste Of Time)
Yeah God! decided to change their name for some reason to Ugly Noize Inc. following the release of Noizgasm in 1989. Not quite sure why, but maybe someone out there knows? Anyway, in 1990 they released the humorously titled D*nce Like A Bastard!! The album is quite a departure from their previous one. While Noizgasm was rooted in thrash, and quite experimental at times, featuring unusual song structures, loads of samples and down-pitched vocals, Bastard is a lot more like conventional metal/hard rock. This is anything but an insult as the results are fantastic. The tracks are tighter and the album flows better. The lyrics are easier to hear and the riffs are fantastic.
While The Buzzard’s vocals were often death growls and shouting on Noizgasm here he sings quite a lot, and it works better in my opinion. Not to slate Noizgasm, I love that album and the vocals suited it, but I have to say I prefer this one as the songs are more memorable and the album is more accessible in general.
There are some outstanding tracks, complete with The Buzzard’s amazing guitar playing and darkly funny lyrics. Stand out tracks for me are “A Prayer To The God Of Obscure And Skint Independant Artistes” (“I ain’t too proud to take charity, gimmy all you got just as long as it’s free”), “Bitch, Bitch, Bitch”, the dubby/metal mash up of “Everything’s Not Fucking Irie, Man” and the rap/rock track “Dance Like Your Ass Is On Fire”.
Overall an excellent album which has been on constant rotation on my phone for the past few weeks. I’ve just ordered their E.P. Nitro Injected Trash Pop For The Deaf and I’m very much looking forward to hearing it! If anyone knows if the band had anymore releases please get in touch through the comments!
Edit 12/08/16 – Paul from the band had this to say –
We recorded and mixed this in just over a week at Brian Tatlers studio (the fridge?) in Stourbridge. All I can remember of it was there was a trivial pursuit coinop that I never got to play on!
1 Back 2 Reality
2 A Prayer To The God Of Obscure And Skint Independant Artistes
3 Offin’ The Good Guys
4 Scheherazade Jones
5 Hindsight Binoculars
6 Betterways
7 Bitch, Bitch, Bitch
8 Beirut Timeshare Love Affair
9 Everything Is Not Fucking Irie Man
10 Dance Like Ya Ass Is On Fire
11 Worst Bad
12 Ogres (My Guitar Dies Screaming)
After releasing their debut Desert Orchid on Food in 1988, Crazyhead switched labels and released Some Kind Of Fever in 1990 on Revolver Records. After the departure of bassist Alex ‘Porkbeast’ Peach, the band re-grouped and recorded a covers album entitled Live From Memphis which remains unreleased.
Eventually, after recruiting bassist Christina Wigmore and guitarist Peter Creed, the band recorded the covers E.P. Chemical Lunch in 1998. The pharmaceutical-themed E.P. features covers of songs by The Fugs, Bo Diddley, Julian Cope and Gene Vincent. The band recorded it in Kev Reverb’s ‘Memphis Studios’ and burned the album to CD-Rs which were then sold at their gigs. Many thanks to Adrian Manning for forwarding the album to me.
Track list
01-I Couldn’t Get High (The Fugs cover)
02-Pills (Bo Diddley cover)
03-Out Of My Mind On Dope And Speed (Julian Cope cover)
04-Bird Doggin’ (Gene Vincent cover)
Download here (.wma format)
Released on Chapter 22 records in 1989, Noizgasm explodes with heavy metal riffs and raw growlllllllllls. It storms along at about 400 bpm with The Buzzard (who featured on PWEI albums and wrote the riff for The Prodigy’s track “Their Law” which also featured PWEI) shreading his guitar like a mad man. Expect lots of heavy riffing, dive bombs, samples (I spotted the beat from “She Drives Me Crazy” more than once!) and a tongue-in-cheek sense of humour. A great LP to bang your head to.
Edit (12/08/16) Paul from the band had this to say re: the recording of the album –
Some good (and bad) memories of the making of this album … The funniest (story) I remember is that we had traveled to the studio under the impression that it was a residential place that fed the band too. Why we thought that on our budget I’ll never know! So inevitably we arrived with no food or even much cash. Towards the end of the album when we were surviving one piece of toast and Marmite each per day Pete’s (the owners) wife took pity and us and fed us ‘proper food’ ! bless her! I’ve been good friends with Pete ever since – nice guy.
Download here.
Bugblot (aka Bugblot And The Shocking Confusion) released their debut single ‘Steeple’ on Gaye Bykers On Acid’s label Naked Brain in 1991 (Jan 14th to be precice!). Taking their infleunce from 60s garage rock and the likes of Captain Beefheart, Can and numerous Blast First bands, Bugblot recorded this driving, noisy, sometimes dark and often psychadelic EP. The title track “Steeple”, accurately described in their press release as sounding like a “year 2000 Stooges”, thunders along with heavy stoned riffs and catchy melodies. Up next is the psychadelic “Started Going Out” which somehow ends up sounding part-The Doors with a grunge-esque chorus (at least to my ears, anyway!) and features Noko of Apollo 440 fame on viola. The last track “Danny’s Psycho Jazz Tent” is a quick trash of crazy jazz metal which rounds the EP off in a noisey fashion. Well worth a download!
Tracklisting
1. Steeple
2. Started Going Out
3. Danny’s Psycho Jazz Tent
Download mp3 here http://bit.ly/1kmjhKQ
Formed in the UK during the late 80s by Ernie Brennan (vocals), Steve Yates (guitar), John O’Reilly (bass) and Mark Diment (drums), Scat Opera recorded several well-received demos before picking up prestigious support slots with Faith No More in the autumn of 1989. Though comparisons to that band followed, in truth Scat Opera played at greater velocity and with more precise musical definition. The pieces, however, were not entirely in place until they signed a contract with Music For Nations in the spring of 1990. They made their debut a year later with About Time, recorded at Slaughterhouse Studios and produced by Colin Richardson. A UK tour as support to Gaye Bykers On Acid ensued, before returning to the studio (this time Windings Studio in Wales) with Richardson for a second set, Four Gone Confusion, to be released in October 1992. Again the music incorporated elements drawn from funk (particularly apparent in bass player O’Reilly’s slapping technique), jazz and metal.
(Bio from Allmusic.com)
Fun debut album from this British funk metal group. I got to know this band through their support gigs with Gaye Bykers On Acid during their 1990 tour after hearing Mary Byker reference them in a live bootleg. The album opens with ‘Preminition’ and ‘B.G.V.’ which set the tone with O’Reilly’s slap funk bass leading the charge, but its ‘About Time’ which steals the show with its fantastic wonky, storming riff. I guarantee you’ll have it stuck in your head all day, and as a guitarist I would I could figure out how the hell he plays it. Other highlights include ‘Family Man’, ‘Pig Head’ and ‘On Your Own’. Well worth a listen if you’re into Faith No More and early Red Hot Chili Peppers and like your music played at 200 bpm.
Included in this download is the full album taken from the CD (the vinyl release missed two tracks) plus an ace b-side taken from the ‘About Time’ single. Personally I think they should have included ‘Miss Cosmopolitan’ on the album and have ‘Overture’ as a b-side
1. Premonition
2. B.G.V.
3. About Time
4. Family Man
5. Tarred With The Same Brush
6. Filo
7. Pighead
8. Be Mine
9. On Your Own
10. Flex
11. Overture
12. Miss Cosmopolitan (Bonus beefy B-side)
As always, if there’s any problem with the downloads leave a comments and I’ll fix it!
Another Boring B Side 